Encaustic 1836 Acrylic Print
by Hakon Soreide
Product Details
Encaustic 1836 acrylic print by Hakon Soreide. Bring your artwork to life with the stylish lines and added depth of an acrylic print. Your image gets printed directly onto the back of a 1/4" thick sheet of clear acrylic. The high gloss of the acrylic sheet complements the rich colors of any image to produce stunning results. Two different mounting options are available, see below.
Design Details
Beeswax is the oldest known binder for pigment, and as well as accommodating a high concentration of colour, it also seems the most resilient to... more
Ships Within
3 - 4 business days
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Comments (5)
Artist's Description
Beeswax is the oldest known binder for pigment, and as well as accommodating a high concentration of colour, it also seems the most resilient to atmospheric or biological deterioration, and - unlike even many paintings from the 19th Century - 2000 year old encaustic art seems as fresh and colourful today as the day it was painted.
Though possible to paint with brushes or other tools when the wax is melted, I have almost exclusively used a heated iron for colour application in my wax paintings, gradually developing the special semi-random technique of the swirly patterns that dominate most of my encaustic work.
The titles of my encaustic paintings might seem a bit boring with the numbers, but it ended up like that as the randomness of the technique means I have to paint many of them in order to produce a few brilliant ones.
About Hakon Soreide
Born in Norway in 1974, and discovering I knew how to paint in 1999, my work spans a wide variety of styles and media, all the way from traditional oils, pencil drawings and encaustics to digital paintings, 3D renderings and computer generated imagery, with styles ranging from the completely abstract to the sensually figurative.
$75.00
Maria Woithofer
Congratulations
Sunil Kapadia
Congratulations on your sale!
Hakon Soreide
Thanks, Barbara. Yes, I do indeed love panting with encaustics letting the medium do its own thing and not trying to control it too much.
Barbara Hranilovich
This is fresh and lively...letting the encaustic do it's natural thing.